Crossing the Boundaries XXIII: Cut and Paste
Interdisciplinary Graduate Conference Presented by the Art History Graduate Student Union at Binghamton University
Click here for a printable schedule!
Friday, March 27, 2015
1:00-2:15 | Undergraduate Panel | Location: Binghamton University Art Museum (Fine Arts Building) Lower Galleries
- Colleen Stapleton, “Collaged Anonymity: A Portrait of Delay”
- Kara Nandin, “Ojibwa Birchbark Scrolls and Rock Art: The Misappropriation of Forms in Nineteenth-Century Aesthetic”
- Daniel Bontempi, “Duane Hanson: A Study of Modernist Expression through Minimalism and Post-Minimalism”
2:15-2:30 | Break
2:30-3:45 | Panel 1: Sound, Space, Time | Location: Binghamton University Art Museum (Fine Arts Building) Lower Galleries | Moderator: Amanda Beardsley
- Alana Wolf-Johnson, University of Rochester, “Re-Recording History: Jacob Kirkegaard’s Four Rooms and the Sonic Unconscious”
- Mopelola Ogunbowale, University at Buffalo, “Cutting and Pasting the ‘Riddim’: A Case Study of Diaspora Music in Urban Lagos”
- Elise Trucks, Binghamton University, “Expansive Collaborations: Carolee Schneemann, James Tenney and 1960s Experimental Arts”
3:45-4:00 | Break
4:00 | Keynote Address | Location: Fine Arts 258
Andrés Mario Zervigón, Associate Professor of Art History, Rutgers University, “Die Arbeiter-Illustrierte Zeitung — The Worker’s Illustrated Magazine, 1921-1938: The Cut and Paste of Germany’s Other Avant-Garde” Click here to read the abstract!
5:00-7:00 | Opening Reception: “The Inner Landscape of Dance: Photographs by Barbara Morgan 1935-1944” | Location: University Art Museum
6:30 | Dinner | Thai Basil Restaurant, 29 Washington Ave., Endicott, NY
Saturday, March 28, 2015
Location: All Saturday panels will take place in Fine Arts 258, and all meals will take place in the adjacent Fine Arts Grand Corridor
9:00-9:30 | Breakfast | Fine Arts Grand Corridor
9:30-10:45 | Panel 2: Assemblage, Construction, Contingency | Moderator: Nicole Wagner
- Addie Gordon, Binghamton University, “‘Rewriting the Past’: Peter Eisenman’s City of Culture, Galicia”
- Rachel Julia Engler, Columbia University, “A Perfect Kind of Incoherence: Theo van Doesburg’s Dada Geometries”
- Allison Leigh, The Cooper Union, “Typological Montage in the Nineteenth Century: The Alienation of Everyday Life”
10:45-11:00 | Break
11:00-12:15 | Panel 3: Texts of Resistance | Moderator: Lena Mei
- Andrea Ennis-Booth, University of Toronto, “Heisler’s Alphabet: Between Interpretation and the Threat of Destruction”
- Wylie Schwartz, Binghamton University, “Asger Jorn’s Collective Creating”
- Debora Faccion, Binghamton University, “Malasartes: The Short Life of an Art Magazine in Brazil”
12:15-1:15 | Lunch | Fine Arts Grand Corridor
1:15-2:30 | Panel 4: Books and Materiality | Moderator: Zohre Soltani
- Amy Breimeier, University of Massachusetts Amherst, “Grace Fisher and the Art of the Commonplace Book”
- Victoria Gao, University of Rochester, “Image and Materiality: Man Ray’s Atget Album”
- Olivia Crough, Harvard University, “Glue as Such: The Collaged Books of Aleksei Kruchenykh and Olga Rozanova, 1915-1917”
2:30-2:45 | Break
2:45-4:00 | Panel 5: American Narratives | Moderator: Josh T. Franco
- Kasia A. Kieca, Binghamton University, “Industrial Visions: The Politics of Assemblage in Lewis Hine’s Men at Work (1932)”
- Nushelle de Silva, Massachusetts Institute of Technology, “Assembling ‘Smallness’ at the American Small Industries Exhibition, Ceylon 1961”
- Evelyn Kreutzer, Northwestern University, “Intermediality and Montage in the Depiction of the 9/11 Trauma: Observations on Works by Carolee Schneemann, Galway Kinnell and John Adams.”
4:00-4:30 | Break
4:30 | Keynote Address | Fine Arts 258
Kevin Hatch, Assistant Professor of Art History, Binghamton University, “‘O Mexico/My Own’: The Semina Circle Encounters Mexico” Click here to read the abstract!
7:00 | Closing Reception | 25 Birch St., Binghamton, NY
A ‘Cabaret of Curiosities’: The Landscape Aesthetics of “Mondo Utah” and the Mormon Panorama
More than just the aestheticization of natural phenomena, the panorama has functioned as both optical surrogate for nature, simulator, and generator of affect—an apparatus for teaching people how to survey and perceive the world while also situating them in it. Such characteristics of panoramic vision have carried over into current museological practices in an effort to unveil and reconcile socio-cultural landscapes, while also encouraging tourism. This was seen specifically in the 2013 Utah biennial, “Mondo Utah,” whose title referenced the controversial genre of Mondo cinema. The biennial attempted to decipher a visual language of contemporary art specific to the region. Pavilions surveyed objects ranging from the marginal (golden life-masks and mummiforms of the Summum group), to the aggregate (work from the collective holdings of the Church of Jesus Christ of Latter-day Saints).
Meet this year’s presenters, who will join is on April 4-5, 2014. All events are free and open to the public. For more info about the schedule, click here.
Sara Champlin specializes in classical art and archaeology at the University of Wisconsin, Madison. Her research interests include elite dining practices, hybrid architectural forms, and various social, political and economic factors that affect urban landscapes. Her masters research at the University of Massachusetts, Amherst focused on the appropriation and re-use of Greek myth for Roman funerary contexts. More recently she has been working with wall frescoes and floor mosaics to determine ancient systems of organizing space. Her paper Town Planning in the West: Metapontum, Megara Hyblaea, and Akragas developed out of a graduate seminar on the topic of Greek Colonization with Professor Nicholas D. Cahill.
Nicole Wagner is currently pursuing her Ph.D. in Art History at Binghamton University. Her work focuses on Early Modern Italian painting and culture, with an emphasis on Confraternal patronage, Catholic Reformation, conventual space, and devotional art. Nicole received her BA in Art History from the University at Geneseo and her MA in History and Museum Education from the University at Buffalo.
Rotem Rozental explores the intersections of photography, social networks and nationalism, focusing on Zionist photographic archives. She is currently pursuing her PhD in the art history department of Binghamton University. Rotem is the editor of The Shpilman Institute for Photography Blog (thesip.org), and co-artistic director of “We, Festi-conference for Creative Collectives” (2012-2013), held annually as part of the Jerusalem Season of Culture (jerusalemseason.com). She also edits the Season’s website, blog and social media. In addition, Rotem writes exhibition reviews for Arforum.com and other magazines.
All events are free and open to the public. Join us!
Friday, April 4th:
Undergraduate Panel: 1-2:15pm || In the Lower Galleries of the Binghamton University Art Museum
Dual Faith: The Pagan Vestiges in the Religions of Eastern Europe
We are delighted to launch our 22nd annual conference with a panel presented and moderated by the undergraduates of the Art History Department.
The panel will be held on April 4 in the Lower Galleries of the Binghamton University Art Museum (1-2:15pm).
Here is more information about the presenters and their talks:
Mikey Kosowski is a sophomore who is majoring in art history and Russian studies. Mikey sees art history as a way in which he can develop a deeper and older passion, British history and visual culture, and is now beginning to explore his interests in Eastern Europe. His current research interests range from the interiors of Victorian Anglo-Catholic churches to the modern restoration of synagogue murals in Poland.
Our annual graduate conference is proud to host an undergraduate panel, launching the 21st edition of Crossing the Boundaries.
Read about our past conferences and find information about the 2012 Undergraduate Panel right here.
Please join us in hearing the work of three of Binghamton University’s own Art History undergraduate majors and members of the Undergraduate Art History Association. This year, the panel will be held in the art museum. The panel members will each present 10-15 minute papers followed by a question and answer session.
11:00 – 12:00
Moderator: Katerina Acuna
The Naturally Lit Cube: Dia:Beacon’s Natural Light and Perceptual Experience
The Dia:Beacon is a museum unlike most others, in that it uses almost entirely natural light when displaying its collection. The work within this museum environment is supposedly one without frames, pedestals, or wall texts. However, despite this, the museum still contextually frames the art. Looking to three case studies within the museum, I examine how the art exists not at a distance from the visitor, but rather in the same space. Dan Flavin’s untitled red and blue light sculpture is situated in front of a large window, which creates a fascinating juxtaposition of artificial and natural light.
Here’s a gentle reminder: the deadline for submitting abstracts is February 1, 2013. The graduate conference hosted by The Art History Department in Binghamton University is marking its 21st year in 2013. The annual conference will take place in April 26-27, 2013.
This year’s Crossing the Boundaries focuses on themes related to Dis/Place and invites submissions from a vast array of disciplines and periodical interests. The keynote speaker is Ariella Azoulay (Brown University).
For more information about the conference and our call for papers, click here.
For our past conferences, click here.
We also invite you keep in touch via Facebook, or our departmental blog. For the art history department Facebook page, click here.